National Museum of Women in the Arts Women in the Arts Publication
If you've ever taken an fine art history course or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, most of what we learn most art history today still centers on white men from Europe and, later, the Usa. In reality, there are then many more than artists of all genders to learn from and appreciate.
Here, nosotros're specifically taking a look at just some of the women who have had lasting impacts on their fine art forms. From some of the fine art world's most iconic pioneers to its near unsung heroes, these women artists all had a paw — and, in some cases, yet take a hand — in changing the world of fine art and how we ascertain it.
Laura Wheeler Waring
Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the The states, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.
Cindy Sherman
Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps near well known for her series of Untitled Motion picture Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of diverse generic female picture show characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.
Yoko Ono
You might first think of Yoko Ono as a musician and activist, but she's also an achieved performance and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".
One of her nearly revered works, Cut Piece, was a functioning she get-go staged in Japan; Ono sat on stage in a nice suit and placed scissors in front of her, and, in an human action of daring vulnerability, invited audience members to come on stage and cut away pieces of her clothing. "Fine art is similar animate for me," Ono has said. "If I don't do it, I start to choke."
Betye Saar
Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her unabridged career trajectory — and, in turn, part of the trajectory of art history.
Saar was role of the Blackness Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If yous can get the viewer to expect at a piece of work of art, then you might exist able to give them some sort of message."
Frida Kahlo
It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like expiry and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded as one of the well-nigh influential artists of the Surrealist motility.
Yayoi Kusama
Yayoi Kusama started painting at a very young age, but she's also known for her hyper-existent sculptures, polka dots, installations, and so much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which utilise mirrors and lit objects to create a sense of endlessness.
Amy Sherald
Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more than common in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald'southward work — and her signature grayscale pare tones — every bit she was the first Blackness woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.
Georgia O'Keeffe
Known every bit the female parent of American modernism, yous likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just mayhap, the skyscrapers of New York Metropolis. In the 1920s, she was the first woman painter to gain the respect of the New York art earth, all by painting in her unique style.
Adrian Piper
Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Metropolis. She used her piece of work to question society, identity, and racial politics by demanding the audience to face truths about themselves. She oft challenged people on the streets of New York to guess her race, socio-economical class, and gender — all while dressed equally a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.
Shirin Neshat
Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, motion picture, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat'due south works oftentimes create a sense of solidarity and empowerment.
Jenny Holzer
As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.
These works display phrases that act as meditations on various concepts, such every bit trauma, knowledge, and hope. Ane of her more than notable works, I Odor You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.
Rebecca Belmore
Much of Rebecca Belmore'due south art addresses identity and history — and, in detail, houselessness and the voicelessness of the Showtime Nations People in Canada. As an Anishinaabekwe artist, she works to enhance awareness around the prejudice, violence, and attempted erasure of Indigenous North American civilisation. In 2005, she was the first Ethnic woman to correspond Canada at the Venice Biennale.
Louise Conservative
While a prolific printmaker and painter, Louise Conservative is improve known for her installation art and sculptures — like the spider above — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when brainchild and conceptual art were the primary styles shaping the fine art earth.
Mickalene Thomas
Heavily influenced by pop culture and pop fine art, Mickalene Thomas frequently embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody ability and femininity.
Judy Chicago
Judy Chicago was ane of the major figures within the early Feminist Art move. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California State Academy in Fresno, Chicago founded the beginning feminist fine art program in the United States.
Augusta Fell
Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Black folks, Cruel founded the Brutal Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the starting time Black American elected to the National Association of Women Painters and Sculptors in 1934.
Carolee Schneemann
Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "body art". (Just look up her well-nigh famous work, Interior Whorl, and yous'll see what we mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal guild.
Nan Goldin
Famous for her in-the-moment photography, Nan Goldin's work challenges traditional ability relations. In addition to documenting New York City's queer subculture mail-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.
Elaine Sturtevant
Does this look like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went past her terminal name professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of big-proper noun artists' work.
Some artists and critics encouraged her efforts, while others became quite angry. Nevertheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.
Ruth Asawa
During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based creative person, Asawa's last public committee was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Earth War II.
Catherine Opie
Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the historic period of ix. She uses her photography to examine social norms, and, in doing so, displays diverse subcultures in formal portraits — only in a mode that conveys ability and respect past evoking traditional Renaissance portraiture.
micha cárdenas
micha cárdenas is an artist, author, theorist, and assistant professor who won an Touch on Honour at the Indiecade Festival in 2020 and the Artistic Accolade from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.
Lee Krasner
Lee Krasner was an Abstruse Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Assistants (WPA).
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